Vaishnavi Jayakumar
27 Jul 2010 12:37:00 AM IST


It's that fa-la-la-la time of year TO EVERYTHING (TURN, TURN, TURN) THERE IS A SEASON (TURN, TURN, TURN) ....January is a comin' in - A TIME TO BE BORN, A TIME TO DIE and everyone's singing cuckoo. A TIME TO PLANT, A TIME TO REAP Tweets, born by the tweeple of the noughties, A TIME TO KILL, A TIME TO HEAL whizz past bearing pathologically hopeful tidings of determined seasonal cheer. A TIME TO LAUGH, A TIME TO WEEP In short, it's
Lord save us!" cried the duck. "How does it make up its mind?""It doesn't look to me as though it had any," said Jip, the dog.
"I notice," said the duck, "that you only talk with one of your mouths. Can't the other head talk as well?"
"Oh, yes," said the pushmi-pullyu. "But I keep the other mouth for eating--mostly. In that way I can talk while I am eating without being rude. Our people have always been very polite."
A natural disaster here, an epidemic there... a mysterious celebrity death, a paparazzi-fuelled scandal. A war a year, mating dance-like peace overtures, eyeball-to-eyeball confrontations, terror attacks and counter strikes...Economic boomtime and stock market crashes - the inevitability of the relentless march of time was probably made tolerable for Janus with another invention of the Noughties - the convenient (if fictional) amnesic Goldfield's syndrome, of 50 first dates.
I had tried to explain what was churning my mind to my wife who in her enthusiasm mentioned the crass inequity of the situation to her sister, an affluent urban socialite. The reaction of the latter was simply stunning. "But, you know sister; these farmers do not mind living like that. They are so used to it, you know!" That clinched the thing for me. Not only was there the horrendous cleavage between the two notional entities, but there was further, a wall of apathy, indifference, unconcern and insensitivity. The predators had hardened their hearts to the miseries of their preys. It was this lack of sensitivity that convinced me that for all practical purposes the two notional entities were two separate nations, in spite of the fact that they shared a common flag and national anthem.
THINGS FALL APART, THE CENTRE CANNOT HOLD



The year is 2008. The New Arrivals’ shelf at your average lending library seems entirely occupied by a legion of bloodthirsty crime-writers and their stomach churning offerings. Well not entirely! One determined successor to Agatha Christie’s legacy still holds out against the invaders of the classic whodunit. We can come up for air with P D James’ 18th novel, The Private Patient.
Here is the familiar formula of the Golden Age of crime fiction – the shared clues, the plot a variation of the ‘locked room puzzle whodunit’ with the usual unlikely mix of suspects and their unravelling motives of a threatened social respectability or security. The secluded English country house comes alive with James’ eye for art and architectural design and is enhanced by her typical motifs of a richly evocative atmosphere (imagine Hardy’s Wessex, the Dorset Jurassic coast and a standing stone circle tainted by a witch-burning) and the looming presence of church as both sanctuary and scene of crime.
Adam Dalgliesh is back – a welcome throwback to the gentleman detective. Endowed with the universally popular tall dark good looks, mandatory intelligence, education and culture, this otherwise flat, cardboard cutout character is redeemed by P D James with facets of poetry writing, Jaguar driving and significant romantic punch with his tragic personal background! - (a parson’s son, he lost his mother when young, and his wife and newborn son in childbirth). Fans will finally see in ‘The Private Patient’, the end of previous romantic cliffhangers, with the marriage of this eminently eligible bachelor to Emma Laversham, who first appeared in ‘Death in Holy Orders’!
It’s not surprising that the author who created the first definitive female detective in Cordelia Grey is at her best describing her female victims. Be it Sally Jupp (’Cover her face’), Venetia Aldridge (’A Certain Justice’) or in this case Rhoda Gradwyn – James expertly brings to life tough,intriguing women who even if not particularly likeable, arouse a respectful understanding, however grudging.
How can one not feel for Rhoda, ‘the only child of a frightened and ineffective mother and a drunken father.’ That was how she had defined herself for more than 30 years and how she still defined herself. ‘Trapped in a tense and violent household, she and her parents colluded in their lies and endured their voluntary exile from life. The front room was for special occasions, for family celebrations never held and for visitors who never came, its silence smelling of lavendar furniture polish and stale air, an air so portentous that she never tried to breathe it.’ Her life is irrevocably changed one night, when she speaks up in an attempt to protect her mother and her father in his drunken fury smashes a whisky bottle on her face and she is marked for life.
